I thoroughly enjoyed this challenging but very interesting chat with Simeon Burke on faith, motherhood, feminism, why I don’t believe in progress and why the term ‘post-liberal’ doesn’t really make sense because all politics is post-liberal now.
Had the most wonderful epic chat with the delightful Benjamin Boyce, where we roamed across such terrain as the psychotic side-effects of postmodernism, why nihilism isn’t the answer, why I don’t believe in progress and what’s left out of the internet’s parody of the social. It’s on YouTube:
Scuba diving is both magical and terrifying. Put on your gear, slip under the surface, and find yourself freed from gravity. In the glory days Before Coronavirus, I remember diving through the clear waters of coastal Turkey, drifting on warm currents and rolling to stare at the sunshine playing on the surface, from underneath.
But even as I rippled through the deep, marvelling at flashing schools of fish, there was a trade-off: constant self-control. Don’t breathe out through your nose. Don’t sneeze. Never, ever panic. For a short while it’s possible to pretend that you have the freedom of such an alien world, but in truth you’re only ever a tourist, granted safe passage thanks to technology, training and self-discipline.
Something about this sense of crossing an uncrossable threshold surely also powers our obsession with mermaids. And it is an obsession: mermaids are everywhere. Monique Roffey’s novel The Mermaid of Black Conch: A Love Story recently won the Costa Book Prize, while “mermaiding” — swimming in the sea wearing a “mermaid tail” — has gained a cult following in Australia. And you only need to browse the girls’ clothing selection in a high-street shop to find countless cartoon girls with fish-tails, sequinned and sparkly, smiling at you from t-shirts, dresses, wellies, duvet sets, pencil cases and the like.
As a parent of a four-year-old, I’m more familiar than I’d like with mermaid content, and Disney is a rich source. Sofia the First: A Mermaid Tale is a favourite with my daughter, who is entranced by the moment when Sofia is magically transformed into a mermaid and dives underwater. There, she swims in circles exclaiming: “This is incredible!”. And it is. The rest of the story is almost an afterthought, with the whole narrative punch condensed into that moment of metamorphosis, and the dive into a new and mysterious realm.
If mermaids offer an enchanting dream of transformation, perhaps it’s no surprise that the transgender movement enthuses about the special place mermaids have in their iconography. Activist Janet Mock links this to Ariel, heroine of the 1989 Disney film The Little Mermaid, who chafes at her underwater life and longs to visit the world beyond.Continue reading “What the modern mermaid leaves out”