Abolish Big Romance

I’ve been thinking a lot recently about a question someone posed in response to an essay on relations between the sexes. I must apologise for having forgotten the source, but the gist was “This is all very interesting but what do you think we should do?”

Recently a brilliant Cambridge postgrad in her early twenties approached me for advice on a personal dilemma. We walked across autumn countryside for two hours, and talked about many things. In the course of that conversation, she asked me how I thought we should start rebuilding relations between the sexes in the rubble of hyper-liberalism.

Three points emerged, all of which I’ll write about in due course, and all of which address the question: “what in fact should we do?”The first is this: it’s time to abolish Big Romance.

One of my central contentions is that while some liberalisation has benefited some women, especially bourgeois women in the developed world, radical social liquefaction across the board is catastrophically bad for women – and especially those of us who are mothers. Interdependence is a defining feature of motherhood, from gestation onward. Family life is the archetypal template for those ways in which, as humans, we thrive when we belong to one another.

Another central question for me is how we start rebuilding after liquid modernity. In particular, as I argued at Natcon, how we do so in a way that isn’t just stuffing women back into some imaginary ‘trad’ box, or seeking the ultimate victory of one sex over the other. In my view the central institution for surviving and rebuilding after liquid modernity has to be marriage. But for this to work under today’s conditions we have to revise what we understand marriage to mean.

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Talk – National Conservatism conference, Orlando, 31 October

It’s often noted that the right generally has a better grasp of the left’s motives and arguments than vice versa.

The right thinks the left is mistaken, while the left thinks the right is evil.

With one exception: feminism.

I have sympathy with some critiques advanced by friends on the right, of the excesses and uncounted costs of feminism. I have made a number of those critiques myself.

But I’m often frustrated by conservatives’ refusal to engage with feminist arguments or history much beyond the ‘pop’ versions you might find in the pages of Vox. The result is, regrettably, a right-wing treatment of the women’s movement that’s often as ignorant of what it condemns as modern liberal feminists are of the conservative case against abortion.

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Is there a feminist case for virtue?

I’ve been reviewing like mad: first Amia Srinivasan’s The Right To Sex, which I found so evasive I concluded it was a coded cry for help from inside the woke ivory tower. And secondly, Shon Faye’s The Transgender Issue, which I argue here makes a compelling case for trans activism as a legitimate daughter of second-wave feminism – complete with the ambivalent and sometimes matricidal mother/daughter dynamics that pervaded that movement. No wonder the so-called ‘TERF wars’ are so bitter.

Elsewhere, I proposed in American Affairs that what we understand as ‘feminism’ is to a great extent an effect of industrial-era economic shifts, that triggered wholesale re-negotiation of sex roles. But further, that we’re now leaving the industrial era, and thus once again re-negotiating sex roles; and if we try to do this on the industrial-era yardstick for what constitutes women’s interests, we’re going to end up somewhere very dark indeed.

I agree with the intersectionalists that feminism can’t be understood as universal; applying that logic across history opens the possibility that twentieth-century feminist ideals that were legitimately in our interests then may no longer be so now. And all these themes: economic transitions, matricide, woke feminism and trans activism, come together in reflections this week on yet another book: Erika Bachiochi’s The Rights of Women: Reclaiming a Lost Legacy.

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Reactionary Feminism (First Things)

“A reactionary feminism seeks to honor women by accepting as givens the things that make us human: our bodies and our relationships. It asks how we might frame our obligations justly, between the sexes, in the interest of the common good. Women must negotiate new social and economic conditions, not in a spirit of zero-sum conflict with men, but alongside our friends, husbands, fathers, brothers, and sons. The aim is not to return to some imagined perfect past, but to reach a future unshackled from the dystopian pursuit of progress. The only escape from a nightmare of atomization and war between the sexes is the recognition that we are embodied creatures, and that interdependence is not ­oppression but the very thing that makes us human.”

Link (First Things)

On why we’re all post-liberal now, with Simeon Burke

I thoroughly enjoyed this challenging but very interesting chat with Simeon Burke on faith, motherhood, feminism, why I don’t believe in progress and why the term ‘post-liberal’ doesn’t really make sense because all politics is post-liberal now.

On surviving postmodernism, with Benjamin Boyce

Had the most wonderful epic chat with the delightful Benjamin Boyce, where we roamed across such terrain as the psychotic side-effects of postmodernism, why nihilism isn’t the answer, why I don’t believe in progress and what’s left out of the internet’s parody of the social. It’s on YouTube:

What the modern mermaid leaves out

Scuba diving is both magical and terrifying. Put on your gear, slip under the surface, and find yourself freed from gravity. In the glory days Before Coronavirus, I remember diving through the clear waters of coastal Turkey, drifting on warm currents and rolling to stare at the sunshine playing on the surface, from underneath.

But even as I rippled through the deep, marvelling at flashing schools of fish, there was a trade-off: constant self-control. Don’t breathe out through your nose. Don’t sneeze. Never, ever panic. For a short while it’s possible to pretend that you have the freedom of such an alien world, but in truth you’re only ever a tourist, granted safe passage thanks to technology, training and self-discipline.

Something about this sense of crossing an uncrossable threshold surely also powers our obsession with mermaids. And it is an obsession: mermaids are everywhere. Monique Roffey’s novel The Mermaid of Black Conch: A Love Story recently won the Costa Book Prize, while “mermaiding” — swimming in the sea wearing a “mermaid tail” — has gained a cult following in Australia. And you only need to browse the girls’ clothing selection in a high-street shop to find countless cartoon girls with fish-tails, sequinned and sparkly, smiling at you from t-shirts, dresses, wellies, duvet sets, pencil cases and the like.

As a parent of a four-year-old, I’m more familiar than I’d like with mermaid content, and Disney is a rich source. Sofia the FirstA Mermaid Tale is a favourite with my daughter, who is entranced by the moment when Sofia is magically transformed into a mermaid and dives underwater. There, she swims in circles exclaiming: “This is incredible!”. And it is. The rest of the story is almost an afterthought, with the whole narrative punch condensed into that moment of metamorphosis, and the dive into a new and mysterious realm.

If mermaids offer an enchanting dream of transformation, perhaps it’s no surprise that the transgender movement enthuses about the special place mermaids have in their iconography. Activist Janet Mock links this to Ariel, heroine of the 1989 Disney film The Little Mermaid, who chafes at her underwater life and longs to visit the world beyond.

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